It is fitting that The Avengers is the first review here on
Aspect Ratio. The film encompasses
everything a comic book geek, nerd, dork could ever want, with a slight
exception of maybe an appearance of The Infinity Gauntlet. This isn’t a movie with overt character study
or world-changing themes and conflicts.
The Avengers is just a great movie that fulfills every want and
desire. One doesn’t need to wrestle or
unravel some great inner truth that would reveal something personal. This is entertainment and awe encased within
two and a half hours. After the last
credits rolled, I couldn’t help but think about how we got here: Planet of the
Apes, Star Wars, Blade Runner, Batman, X-Men, Spiderman, Batman Begins, Iron
Man, Dark Knight, Hulk, Thor, Captain America, and now The Avengers. This was made unabashedly by a geek for
geeks. This was made for me, and I feel
lucky to have even been alive to experience it.
A long-time friend reminded me of how we used
to spend hours pouring over those crazy fake casting calls in Wizard magazine
in high school. Endless debates about
who would play who in superhero movies of our dreams would inevitably end in
the stark reality that such an endeavor would be too expensive and
impossible. The Avengers fulfills all
those wild fantasies in ways that I never would have believed.
After the trailers were done and the lights dimmed, I felt a
familiar sense of anxiety. It was the
same feeling when I saw The Fellowship of the Ring for the first time over ten
years ago. I thought to myself “Please
don’t mess this up”. The movie was too
important to me and to anyone that has ever invested time and energy into
comics. And just like that first trip to
Middle Earth, my fears and worries vanished minutes later.
To say Joss Whedon was in full form would be an
understatement. In any other hands, this
plot, these characters would be a sheer mess.
But, everything just works. Each
minute of screen time is spent economically and briskly. One would think that the pace would be
feverish, manic even, but the movie knows how to slow it down just enough to
peek through and see each character as a real person. Granted, comic book superheroes are never
subtle and build on readily accessible archetypes. However, the true genius of The Avengers is
earning those character building scenes.
Films work best when showing characterizations and not merely telling.
Samuel Jackson’s Nick Fury leaps fully-formed onto the
screen displaying Whedon’s command of characterization. Jackson has space to work with here after
spending so many movies in the periphery.
Everything you need to know about Nick Fury is in his first scene:
loyalty to the mission, greater sense of purpose, a by-whatever-means-necessary tenacity. It is an archetype, but something Jackson
embodies effortlessly.
Black Widow is played stunningly by Scarlett Johansson. From the trailer, I had apprehensions that
she would be primarily a background character with nothing special to do. How can the relatively normal Black Widow
share the spotlight with the tremendous, powerful likes of Thor, Hulk, and Iron
Man? How could a character with no real
superpowers stand next to these demigods?
Whedon’s solution is simple: concentrate her limitations and make that
humanity a strength rather than a liability.
For all intents, Black Widow is the most sympathetic character, and her
powerlessness makes her interesting.
However, the film does not make the mistake of showing her as weak. In classic Whedon style, she is a strong
female character. While most movies would make a point of her overcoming
expectations of being the only woman in an all male group, it bypasses that and
shows her humane side subtly. It
strengthens her portrayal and allows her to transcend common trope. She is a real character with her own
motivations, hopes, and fears.
Hawkeye, depicted with seething fervor by Jeremy Renner, is
the other almost “regular” human of the group.
Prowess with archery aside, Renner lends more vulnerability and even a
hint of romance like compatriot Johansson.
Like the Black Widow, Hawkeye has to compete with these titans, and I
believe the end result is compelling.
With nothing much to do in the first half of the movie, Hawkeye almost
steals the show. Similar to The Town and
The Hurt Locker, Renner’s physicality, good looks, and intensity is an
irresistible draw.
Captain America should be the most ridiculous of all the
Avengers. A time-traveling soldier clad
in head to toe in the star-spangled banner should be silly on the big
screen. But like his solo movie, Chris
Evans captures perfectly the right blend of naivety and seriousness that make
Captain America one of my all time favorite characters. There is a great moment in the middle of the
movie during a huge argument between all the Avengers. Iron Man and Captain America confront their
differing ideals. Evans criticizes
Downey with the standard “you don’t stand for anything” argument. Downey counters by saying that Captain
America was given his powers and none of it was earned. The cut is deep and it hurts. However, in true Steve Rogers style, it
serves to strengthen his resolve. I believe,
this gets to the root of the symbolism of Captain America. Like his namesake country, he is given gifts
that surpass most people. However, those
advantages come with a responsibility for protecting the weak, aiding the
needy, and self-sacrifice. Chris Evans
plays the clean-cut, honor-bound hero with earnestness which makes it
believable that he can lead Earth’s mightiest heroes.
Chris Hemsworth has a tough job as Thor. Unlike the other Avengers, he is literally a
god, but, like last years solo movie, he provides enough human bits and raw
charisma to bridge any gap with the audience.
I love the brother dynamic with Loki.
I do wish that there was more of a hint of reluctance in Loki so it
wasn’t always so one-sided. Though, I
think it could be said that Thor’s endless well of compassion for his brother
is nicely juxtaposed with the machismo response to everyone else. Thor was never the most complex of characters
but Hemsworth does a great job making him utterly awesome.
Hulk steals the show.
Mark Ruffalo nails in the first ten minutes everything I ever wanted in
Bruce Banner. A mild man imprisoned by
his own anger. The danger of the green
giant lies right below the surface. You
can see it in his face, his mannerisms.
There is a shy fear, self-hatred, and acceptance in Ruffalo’s
voice. The “other guy” is treated as
almost an inevitability waiting to be released.
And when The Hulk is finally released, it puts all previous cinematic
depictions to shame. Here is what The
Hulk should have been all these years: an unstoppable force, full of rage, and
simply indestructible. Perhaps we had to
suffer through the other movies to get to this point, but I am glad that The
Hulk is finally smashing everything (including Thor).
Lastly, Iron Man is the heart of the movie. Robert Downey Jr. Reprises his most famous
role and does it with the usual charm and wit.
After three movies of Iron Man, we know how this plays. Downey uses the quips and one-liners to hide
vulnerability and create distance between Stark and the outside world. Tony Stark is the most friendly loner in the
world. He seems selfish and egotistical but
we know that in the end he is a hero and will understand the idea of
self-sacrifice.
In a way, Iron Man’s characterization belies the most
successful aspect of The Avengers. The
audience knows what will happen. We
understand how these Marvel movies work.
The opening scenes introduce us to the characters, there is a difficult
middle, there is a climatic battle.
Towards the end of the climatic battle, it seems that the bad guys will
win, but our heroes will always pull it out in the end. However, the audience doesn’t care that this
movie is, in all honesty, formulaic. We
buy into the movie because it respects our intelligence and manages to be
entertaining as hell throughout.
The Avengers is a great movie not because it says something
profound, but it gets to the heart of entertaining fiction. It inspires us to believe in superheroes even
it is just for a few hours.
-D
-D
My greatest fear with this movie was that the ensemble cast would be too unwieldy. Other attempts at "team" movies like the Mission: Impossible series and the first three X-Men films both fell prey to the emergence of a few key actors and everyone else fell into the background. I think what Avengers does best is allow each of the characters - the non-powered elite in particular - to shine.
ReplyDeleteOne of my favorite scenes was the interaction between Loki and the Black Widow because it illustrated her mastery over her craft. No, she can't blow shit up or punch down buildings. But she is unparalleled at procuring information. And sometimes you need that.
I love your break down of Thor and his ambivalence. It's true. He can arrogantly and confidently deal with anything - except his brother's repeated betrayals. He is a god, and therefore generally difficult to relate to, but in this specific relationship with Loki, he is like any other human being who has that one friend/family member who they desperately want to help, but always refuses that assistance.
I loved this movie because it doesn't take itself too seriously. The scope is so far-reaching that any attempt to view the events through a serious lens (as one does when watching the Nolan Dark Knight movies) wouldn't make sense. As you say, The Avengers brilliance isn't in its depth, rather in its ability to serve up a kick-ass two and a half hours for people with varying degrees of nerdy intensity.